DailyPaintWorks Challenge

 

6x6 Oil on Ampersand Gessobord

This month the challenge was to paint something shiny and metallic and the photo offered by the contributing artist - Ans Debije really captivated me because of the deep warm tones of the subject, so I didn't look for anything around the house to paint.  It was hard to figure out the correct colors and I still didn't get the values quite right, but it was a terrific challenge and I enjoyed it!  

Cutie Tangerines

 Oil on Ampersand Board 6 x 6

I've always wanted to paint some form of citrus but never have until now.  I was surprised at how difficult it was to get the values correct, and I see I didn't quite manage that here and there, but this was a fabulous learning exercise.  I know to use my photo editing program to make a black and white copy of most things to get the composition right but didn't think this would be necessary.  I ended up doing that midway because of the struggle with the values.  Red and orange are lighter than one would think, so surrounding values have to be adjusted. 

I'll be doing another I'm sure.

When all else fails.....copy an artist you admire.

  8x10 oil on canvas

   8x10 oil on canvas panel

I discovered a new to me artist named Jan Mankes, a Dutch painter who died of tuberculosis at only 30 years of age.  I'm always saddened when I discover someone I admire who died young.  How many artists are this accomplished at thirty?  His appealing soft edged style would have been wonderful to watch as it matured.

 

Petunias!

 11x14 Acrylic on Canvas Panel

I planted a riot of petunias in my front window flower box this year and they eventually worked their magic to make me do my first flower painting.  I find flowers intimidating what with all that petal action, but this was fun!

I also learned a lesson in paint colors for this one.  I couldn't get the pink I was after and looked at the pigment content of my Liquitex Alizarin Crimson. It's 2 pigments, one of which is a brownish red which turns the pink muddy when mixed with blue or another purple. I have an older tube with a different formulation, but the newer Alizarins have 2 colors so a cool bright pink is virtually impossible. I ended up buying a tube of Quin Magenta so I can have a cool bright pink.  I'm used to Alizarin in oils which makes an exquisite cool light pink.  I've come around to believing a limited palette is the best way to learn color mixing, and learned to check each color is a single pigment before I buy.

 

A dawg named Larry

8x10 oil on linen panel

If you like animals, paint, and see one this cute...that's all she wrote.

 

Morning on Timberlake Dr

 

9x12 oil on hardboard

A study for a larger painting.  I knew it would be tough with all that contrast.......and it was.  Landscape and portraiture are the most difficult subjects. I'm not going near a portrait!

This is what I see when I'm headed home after I make myself go for a walk in the morning.  If the sun is out.  And if I've been successful at nagging myself to do what's good for me.   

Local color is......green

8x10 oil on linen panel

I've noticed this tree on my semi-daily walks and finally decided to immortalize it before it falls over, because they do on a regular basis once the wind starts up.  It's not anything special...just another hemlock, but if you like trees you know they all have their own personality.

Warm or cool color as the day moves through its cycle

Something I've been struggling with is how to use color temperature to convey the mood I want.  This was helpful.

Time of day color bias: 

https://artsology.com/my-monet-light-experiment.php

Monet's Haystacks:

Copy other artists to learn how to paint the tricky bits....

8x10 oil on panel

Doing copies is invaluable, but frustrating because I don't want to use my 'good' panels or canvases because these studies are destined for the garbage.  So I use gessoed cardboard, and scraps of chipboard and masonite panels I've picked up here and there.   Funky - but it works.

Above, I did a copy of a portion of a landscape by Mark Boedges, a fine landscape painter who has better control of value than any contemporary artist aside from Jeremy Lipking.  I've spent a substantial amount of time looking at his work trying to figure out the basics: warm or cool, color mixes, etc, and gone over his supply list to get any clues because we all think a particular brush or brand of paint will make a huge difference in our work.  They don't.  The only thing that leads to improvement is practice and studying other, better artists.

I'm not posting the original I painted from because of copyright issues. But if you're curious you can go here to see his work: Mark Boedges

The photo below is a study of another piece by the same artist, to practice mixing realistic greens.  His mixes are more subdued than I thought from first impression.  Gray paint pre-mixed, and a good understanding of using complementary colors to mute colors are necessities.

8 x 12.75 oil on masonite panel

Landscape and portraiture are both difficult subject matter.  I have little interest in painting people, but I'm incredibly fascinated by landscape work.  Water isn't as difficult to paint as I thought, but trees and foliage are a bearcat.  

Figuring out clouds

 

More chipboard scraps used to do cloud studies.  The bottom piece was the first study, but the colors were outside my ability to capture. There was a lot of repainting and at some point you have to quit or you won't be able to look back at a study and remember the lesson. I've done studies of various cloud formations in watercolor because it seems like it would be easier, but it's not. 

The third, top study was a bit easier, but I had a hideous time getting the right gold at the base of the golden sky areas.  It looked to have both orange and green in the mix, which seemed impossible, but I did end up mixing it that way, and got closer.  No banana, but closer to the correct color.  Clouds, trees and rocks in the landscape are all very, very tricky.

  These are all done from photos I've taken around my house.  The sky is always remarkable and always different.  No shortage of inspiration on the Oregon coast!

Daily Paintworks Monthly Challenge

10x10 acrylic on wood panel

This month's challenge was 'Under the Sea',  Daily Paintworks Challenge  and I've had a hankering to paint a fish, so I went looking for just the right fish.  Instead I found this adorable looking stingray.  Who knew!  I think his/her eyes are on the other side and these are just markings to warn off predators, but the look works for me.  

Miss Marley

 

11x14 Oil on stretched canvas - NFS

An adorable (and tiny!) Yorkie some friends adopted from a shelter a couple of years ago when she was 12. She is the center of their household, so I wanted to do something a bit regal.  Princesses deserve that!

It never ceases to amaze me that someone would give up a dog when they get old, abandon them, or turn them into a shelter, but I've worked rescue long enough to know it happens all the time.  

Up the road a ways...

8x10 oil on panel

sits this house at the rear of the beautiful lot where the tree below lives. It was built about 3 years ago, and I couldn't figure out why it looked out of perspective until I realized the house doesn't sit square on the lot. but I know why they placed the house the way they did - to take advantage of the view of their lot.  Because it's just a plein air sketch, I won't try to correct it.  It's the light and shadows that made me want to stand there and puzzle it out.  Tip: Put out more paint than you think you'll need.  At least 3 times as much!

 

Idea: Go outside. Paint a tree. So I did.

9 x 12 Oil on panel 

After months of ignoring everything but the news and training myself for our new 'normal', I packed up my homemade pochade box and walked around the corner from my house.  This tree has captured my fancy at other times of the day, but I noticed the shadow pattern and decided to have a go.  Even on a gravel road, people stop to see what you're doing, so I'll have to find a sneaky way to paint outdoors in the future.

No Cashews for Yous

Sold-8 x 10 acrylic on linen panel

My personal birdie modeled for me!  I have a thin post attached to the top screw down on my easel for leaning a mahl stick and she's adopted it as her personal place to oversee what's going on down below.  So I get a feather in the paint now and then....so what.  It's good to have adult supervision.

Waiting for the Train

8 x 10 acrylic on wood panel

This is from a photo I got a couple of years ago of two crow friends sitting on the track in the fog.  Very tricky to paint and I had to move the birds.  I'm enjoying acrylics in a way I never thought I would.  It's far more forgiving if you need to 'make repairs' and once dry I doubt anyone but an expert could tell the difference between oil and acrylic.

I see I left a shadow of one of the prior birds.  That's what you get for varnishing in the evening!  I'm curious to see if that can be 'repaired' with a coat of varnish on. 

Or should I leave it as a spooky reminder that we're all only here for a brief time?

Sulfur Crested Cockatoo

Oil on linen panel 8 x 10

This is one of the parrot species that has wise old eyes.  Maybe because they're distantly related to dinosaurs and you can't get much older than that! 

Summer Door

8x10 acrylic on stretched canvas

This was a perfect example of why painting from life is different, and better than from a photo if you have the luxury.  I snapped a photo to see how the camera saw what I was painting.  I was startled at the photo because the window in the door was so much lighter, and that's not what I was seeing as I painted.    Here's the photo:

Cedar Creek

8 x 10 oil on linen panel

A gurgling creek runs through the area where I walk and live and it's captivated me for some time, so I decided to tackle it.  Not happy with what I got, but it's always worth doing because you figure out some baffling little detail or other.  

What to do With All Those Art Supplies!

I'm a self-confessed Pinterest junkie and I've seen many, many storage ideas. Some are more trouble than they're worth, but some are gems.  Here's lots of ideas with several keepers:  45-organization-hacks-to-transform-your-craft-room

Thanks to Belinda Del Pesco's wonderful blog for this and tons of other generous helpful tips.  She's a wonderfully accomplished printmaker and watercolorist with her own warm, distinct style. If you're not already familiar with her work, you can find her here: Belinda Del Pesco

A depressing little piece......

12x16 Oil on wood panel

Something I did for a group show a while ago, whose theme was 'Yellow'.  What you see is about all of that color I can handle.  No yellow flowers in my yard, no yellow clothing in my closet, and a "Sheesh" each spring when the forsythia is blooming. 

Needless to say - it did not sell.  People want art to be uplifting.  Not everything in life is though, and sometimes that's the subject matter that speaks to oneself.

Out Back

9x12 Acrylic on chipboard NFS

This view is what I look at each morning once risen to get my morning fix (of coffee).  I love looking out there and I'm protected from anyone building behind me because there's a gully that stays soggy for nine months of the year.  Can you say 'mosquitoes'?  Anyhoo, I got out my acrylics and slapped together a little study to remind me of what I had when they ship me off to the home (or if I move to another location - whichever comes sooner).

It's not just you.....

Another African Grey

8 x 10" acrylic on Raymar panel - SOLD

Done for a show called "Purple Haze" at the Hoffman Art Center Gallery in Manzanita.  The pattern in the rug looks more like scattered flowers than woven in but I decided to let it be one of the happy surprises that happens when you tackle something new.  

My bird Sophie spends a lot of time under the couch when she has out of cage time.  Not sure what the appeal is, but who am I to question her preferences?  She's her own woman.

Painting Blocks

Whaaaaa ....you say?

I became fascinated with the techniques of the Virtual Art Academy, as laid out by a terrific German artist named Thomas Ruckstuhl who managed to move from science to art with the instruction of the above mentioned art program.

He suggests doing 150 of these studies.  I've done 9.  What I learned is that I can mix better colors with acrylics than oils.